WCMA – ‘Dance We Must’ Book Discussion
WCMA celebrates the release of a new book, Dance We Must: The Art and Costumes of Ruth St. Denis and Ted Shawn 1906-1940.
- Producer
- The Clark
- Series
- Window on Williams
- Category
- Lectures & Forums
WCMA celebrates the release of a new book, Dance We Must: The Art and Costumes of Ruth St. Denis and Ted Shawn 1906-1940.
n this Research and Academic Program lecture, Shawn Michelle Smith (School of the Art Institute of Chicago / Critical Race Theory and Visual Culture Fellow) considers Alison Ruttan’s artwork The Four Year War at Gombe (2009–2011). In light of recent scholarship on multispecies relations, this lecture contemplates the promises and risks of multispecies imaginings while reflecting on what it means to think about species historically and today.
Ariana Maki, curator of "Across Shared Waters: Contemporary Artists in Dialogue with Tibetan Art from the Jack Shear Collection," leads a conversation between two artists who have artwork in the show, Marie-Dolma Chophel and Palden Weinreb.
Acclaimed furniture designer Jomo Tariku discusses his design process and his relationship to the history of design, including the use of drawings like those by eighteenth-century designers, like those seen in the Promenades on Paper: Eighteenth-Century French Drawings from the Bibliothèque nationale de France exhibition, on view through March 12, 2023.
In this Research and Academic Program lecture, Jonathan Flatley (Wayne State University / Clark/Oakley Humanities Fellow) discusses liking trees. He argues that liking (as distinct from love) is a feeling capable of motivating collective opposition to the ongoing, massive, catastrophic destruction of forests. It makes that case through an examination of two distinct projects: Richard Powers’ novel The Overstory (2018) and Zoe Leonard’s photographs of trees that have grown into, around, or through fences.