The Clark – 50 Years Forward, Opening Lecture

Curator of Prints, Drawings, and Photographs Anne Leonard introduces the pair of exhibitions "50 Years and Forward: Works on Paper Acquisitions" and "50 Years and Forward: British Prints and Drawings Acquisitions."

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The Clark
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The Clark
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Lectures & Forums

The Clark – Curating British Art, A Conversation with Olivier Meslay

To commence the symposium British Art 1750–1919: Reflections and Futures, Olivier Meslay (Hardymon Director of the Clark) and Caroline Fowler (Starr Director, Research and Academic Program) discussed Meslay’s experience curating British art, and how the field of British art has changed since Meslay mounted one of the first exhibitions dedicated to British art at the Louvre Museum, Paris, in 1994, "British Art in French Collections." Eight contemporary artists who consider the intertwined natural and social dimensions of ecological relationships has included sculpture, sound installation, video, and plantings. Each artist represents a distinct approach and place, or “position,” and the complex dynamics between living things and their environments is essential to their thinking. Through their work, these artists illuminate patterns of cultivation and care, migration and adaptation, extraction, and exploitation that span historical, geographical, and species lines. Humane Ecology is presented in outdoor and indoor spaces at the Clark, including both the Clark Center and Lunder Center at Stone Hill.

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The Clark
Series
The Clark
Category
Lectures & Forums

The Clark – Humane Ecology, Eight Positions Opening Lecture

In conjunction with the opening of Humane Ecology: Eight Positions, the Clark Art Institute has hosted a lecture by Curator of Contemporary Projects Robert Wiesenberger. The lecture was presented in the Clark’s auditorium on July 15, 2023. Eight contemporary artists who consider the intertwined natural and social dimensions of ecological relationships has included sculpture, sound installation, video, and plantings. Each artist represents a distinct approach and place, or “position,” and the complex dynamics between living things and their environments is essential to their thinking. Through their work, these artists illuminate patterns of cultivation and care, migration and adaptation, extraction, and exploitation that span historical, geographical, and species lines. Humane Ecology is presented in outdoor and indoor spaces at the Clark, including both the Clark Center and Lunder Center at Stone Hill.

Producer
The Clark
Series
The Clark
Category
Lectures & Forums

The Clark – Imagining Other Worlds, Munch’s Multiverse with Prof. Pat Berman

In association with our exhibit, 'Edvard Munch: Trembling Earth', the Clark Art Institute has hosted a lecture by Wellesley College Art History Professor Pat Berman. The lecture was presented in the Clark’s auditorium on August 19, 2023. Through his visual art and his writings, Munch offered speculation about alternative worlds, those that animate the tangible world on Earth as well as forces in the larger universe. In an era in which science fiction matured as a genre, a variety of radiant energies were studied by astronomers, and mediumistic communication had entered popular belief, Munch's "trembling earth" was suspended in a web of otherworldliness. Art historian and Professor of Art History at Wellesley College Pat Berman takes us on a tour of these imaginary worlds.

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The Clark
Series
The Clark
Category
Lectures & Forums

The Clark – Printed Renaissance, Eight Positions Opening Lecture

In conjunction with the opening of 'Printed Renaissance', the Clark Art Institute has hosted a lecture by guest curator Yuefeng Wu. The lecture was presented in the Clark’s auditorium on July 29, 2023. How do we remember the arts of the Italian Renaissance? Why have we become intimately familiar with the names and works of such creative figures as Raphael and Michelangelo? Since the late 1400s, the new medium of printmaking fundamentally changed the way artistic images multiplied and circulated in European society. Prints that copy famous paintings were repeatedly made, sold, and collected through the centuries. Yuefeng Wu, graduate student curator of Printed Renaissance, shows how the practice of print reproduction shaped and created the history of Renaissance painting in this opening lecture.

Producer
The Clark
Series
The Clark
Category
Lectures & Forums