Series: The Clark

In conjunction with the opening of 'Printed Renaissance', the Clark Art Institute has hosted a lecture by guest curator Yuefeng Wu. The lecture was presented in the Clark’s auditorium on July 29, 2023. How do we remember the arts of the Italian Renaissance? Why have we become intimately familiar with the names and works of such creative figures as Raphael and Michelangelo? Since the late 1400s, the new medium of printmaking fundamentally changed the way artistic images multiplied and circulated in European society. Prints that copy famous paintings were repeatedly made, sold, and collected through the centuries. Yuefeng Wu, graduate student curator of Printed Renaissance, shows how the practice of print reproduction shaped and created the history of Renaissance painting in this opening lecture.

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The Clark

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The Clark

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Lectures & Forums

Jay A. Clarke, Rothman Family Curator, Art Institute of Chicago, introduces Edvard Munch: Trembling Earth, the first exhibition in the United States to reveal how Munch (Norwegian, 1863–1944) animated nature to convey meaning.

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The Clark

Series

The Clark

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Lectures & Forums

In this Research and Academic Program lecture, Kathryn Howley (Institute of Fine Arts, NYU / Beinecke Fellow) argues that the bodily preoccupation of ancient Egyptian art is one reason why it has proven unusually appealing to modern audiences, ever since the beginnings of modern Egyptology in Napoleon’s expedition to Egypt in 1798.

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The Clark

Series

The Clark

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Lectures & Forums

In this Research and Academic Program lecture, Shundana Yusaf (University of Utah / The Kaleta A. Doolin Foundation Fellow) explores the dynamic exchange between listeners, sound, and space in the tomb of Lal Shabaz Marwandi. Located in Sehwan, Pakistan, the tomb of Lal Shahbaz Marwandi is the most cacophonous shrine in South Asia.

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The Clark

Series

The Clark

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Lectures & Forums

In this Research and Academic Program lecture, Margaret S. Graves (Indiana University / Florence Gould Foundation Fellow) discusses craft skills in the Middle East. These skills are usually portrayed as dying out in the nineteenth century, but were in fact redirected toward a new market generated by the colonial project: the faking, forging, and fictionalizing of antiquities, especially ceramics.

Producer

The Clark

Series

The Clark

Category

Lectures & Forums